Movie Review: Maggie Gyllenhaal's 'The Bride!' is a Frankenstein riff with a pulse
Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But it’s alive, writes AP Film Writer Jake Coyle in his review. Just months after Guillermo del Toro presented his lavish “Frankenstein,” Gyllenhaal has set her sights on reimagining 1935’s “The Bride of Frankenstein.” But in “The Bride of Frankenstein,” the shock-haired Bride is only on screen for a handful of minutes. Gyllenhaal has refashioned the story from the Bride’s perspective and concocted a protagonist of unfiltered feminist fury. As played by Jessie Buckley, she's both a victim of male control and a reanimated avenging angel.
The to-do list of Oscar nominee Delroy Lindo includes Othello and a memoir
LONDON (AP) — Oscar nominee Delroy Lindo has decades of performances on screen, stage and television under his belt. And he still has a to-do list with four roles he’d like to tackle. Lindo says he plans to make a film about the spirituality of Jamaica, as well as a project about his mom’s journey from the Caribbean to London. He’d also like to play a prominent Black activist, someone like Marcus Garvey. And to revisit Othello on film, after inhabiting the Shakespearean hero twice on stage.
The director and ‘The Bride!’ Maggie Gyllenhaal and Jessie Buckley dare you to meet your monster
Maggie Gyllenhaal turns “The Bride!” into a big, wild studio film that reimagines the Bride of Frankenstein as a voice of rebellion. On Friday, the movie opens in theaters with a major rollout including IMAX screens. Gyllenhaal says she wanted to make something more epic than her first film, the Oscar nominated adaptation of Elena Ferrante's “The Lost Daughter.” She also says studio test screenings push her to make useful changes. Jessie Buckley leads the story across several identities, including the titular reanimated corpse. Christian Bale plays the lonely monster by her side.
Stella McCartney lets horses steal the show — and makes her point in Paris without saying a word
PARIS (AP) — Ten horses — five black, five white — entered the sand ring first. The models came second. That told you everything you needed to know about Stella McCartney’s priorities at Paris Fashion Week. The British-American designer staged her Winter 2026 show Wednesday inside a riding hall in the Bois de Boulogne, marking the Lunar New Year of the Horse with what amounted to a quiet manifesto: fashion can celebrate animals rather than consume them. The horses, guided by equestrian artist Jean-François Pignon, moved in choreographed patterns around the oval ring as models walked its perimeter. Several were visibly moved during rehearsals, McCartney said.
An Oscar race that looked like a runaway may be a close call, after all
NEW YORK (AP) — Who says to beware the Ides of March? The upside of a prolonged Oscar race has meant some unexpected late drama. For months, Paul Thomas Anderson’s “One Battle After Another” sailed through awards season, picking up prize after prize. But the wins for “Sinners” and Michael B. Jordan at Sunday’s Actor Awards have given the Oscar race what Smoke or Stack might call fresh blood. An Academy Awards that had looked like a runaway might be a close call, after all.
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Robert De Niro delivers Lincoln’s civility warning at a Carnegie Hall benefit
NEW YORK (AP) — Robert De Niro was a featured guest Tuesday night at Carnegie Hall, where he recited Abraham Lincoln’s warning against mob violence. He was appearing at a Tibet House US benefit. The concert also featured Philip Glass, Laurie Anderson, Elvis Costello, Maya Hawke, and others. The performers rarely spoke President Donald Trump’s name. Still, the night carried clear political weight. Glass had canceled a Kennedy Center premiere after Trump replaced the center’s leadership. Other artists have also pulled out. Onstage at Carnegie Hall, musicians condemned war, U.S. Immigration and Customs Enforcement, and indifference.
Rapper Ghetts sentenced to 12 years for hit-and-run that killed Nepali student
LONDON (AP) — British rapper Ghetts has been sentenced to 12 years in prison for killing a 20-year-old Nepali student in a hit-and-run in London last year. Prosecutors said Ghetts, whose real name is Justin Clarke-Samuel, was speeding and under the influence of alcohol as he drove erratically before the incident in October 2025. Clarke-Samuel, 41, was also barred from driving for 17 years on Tuesday by Judge Mark Lucraft. The judge said CCTV footage showed “a quite appalling litany of incidents” leading to a “simply shocking” fatal collision with student Yubin Tamang. Tamang suffered catastrophic injuries and died two days later.
Cracks appear in Trump's MAGA base as leading figures criticize the Iran war
NEW YORK (AP) — Some of the sharpest criticism President Donald Trump has faced in the early days of the Iran war has come from once-loyal media figures more accustomed to singing his praises. The conservative media infrastructure has grown so influential and valuable to the Republican president when everything runs smoothly that it's noticeable when there's discontent. Tucker Carlson, Megyn Kelly and Matt Walsh are among the notable figures to express some dismay, much of it centered around the influence of Israel. Walsh has also said the messaging around the war was muddled. Trump says he knows MAGA best and these objections don't reflect the views of his supporters.
Christina Applegate unleashes a raw, probing memoir: 'You with the Sad Eyes'
NEW YORK (AP) — Christina Applegate releases a blunt new memoir that lays out her fame, trauma and illness without a filter. She writes about an absent father and an abusive home. She describes domestic violence, cancer and living with multiple sclerosis. She also admits deep struggles with body image and self-hate. She revisits her biggest roles, from “Married… with Children” to “Dead to Me.” She shares wild work stories and cringe regrets, and triumphs, like the time she danced on a broken foot when she starred in “Sweet Charity” on Broadway. Her editor says the honesty feels rare and risky.
Dueling documentaries illuminate the promise and perils of artificial intelligence
SAN FRANCISCO (AP) — Artificial intelligence’s dystopian specter has spawned a pair of documentaries dissecting a technology that’s depicted as ravenous parasite devouring humanity’s knowledge, creativity and empathy. The films, “Deepfaking Sam Altman” and “The AI Doc,” examine the issue through different lenses while similarly illuminating why the technology evokes both existential fears and utopian visions about how it might change the world. The documentaries’ arrival coincides with an intensifying debate about whether AI will become a catalyst that helps enlighten and enrich people or a technological toxin that insidiously dulls human intelligence while wiping out millions of high-paying jobs that have traditionally required college educations.

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