'The Studio,' 'The Penguin' and Julie Andrews are among the winners at the Creative Arts Emmys
LOS ANGELES (AP) — Julie Andrews has won her third Emmy Award at age 89 for her voice-over work on Netflix's “Bridgerton.” This marks her first Emmy since 2005. At the Creative Arts Emmy Awards on Saturday, “The Studio” from Apple TV+ took home nine trophies, while HBO's “The Penguin” won eight. Julianne Nicholson and Bryan Cranston also received awards in the guest acting categories. The Creative Arts Emmys, held over two nights, are a precursor to the main Primetime Emmy Awards. The main ceremony will air live on CBS on Sept. 14.
'The Penguin' snags top Creative Arts Emmy awards for technical performance
LOS ANGELES (AP) — The Creative Emmy Awards on Saturday gave “The Penguin” eight awards for the “Batman” spin-off's technical work. The show took home awards for hairstyling, costumes, prosthetic makeup, visual effects, sound editing and sound mixing. Various award winners stressed the importance of behind-the-scenes studio work as a driver of the show’s success. Another spin-off from a major franchise, “Andor,” also ran up impressive numbers. The Disney+ show, part of the Star Wars franchise, took home four awards for editing, production design and costumes. “The Penguin” is up for outstanding limited or anthology series and other major awards at the Primetime Emmy Awards on Sept. 14.
Another 'Knives Out' makes another raucous premiere at the Toronto International Film Festival
TORONTO (AP) — For the third time, the knives were out at the Toronto International Film Festival. Rian Johnson on Saturday night premiered the third movie in his whodunit series, “Wake Up Dead Man: A Knives Out Mystery.” Like the previous two movies, “Knives Out” and “Glass Onion,” Johnson brought a cavalcade of stars to Toronto’s Princess of Wales Theatre for what was easily the hottest ticket of the festival. And once again, Johnson had the TIFF audience enthralled by his contemporary twist on an Agatha Christie-style murder mystery.
'Father Mother Sister Brother' wins top prize at the Venice Film Festival
VENICE, Italy (AP) — Jim Jarmusch's film “Father Mother Sister Brother” has won the top prize at the Venice Film Festival. The film stars Adam Driver, Vicky Krieps, and Cate Blanchett and explores relationships between adult children and their parents. It was a surprise win over other festival favorites. Kaouther Ben Hania's “The Voice of Hind Rajab” takes the Silver Lion for its powerful portrayal of a rescue attempt in Gaza. Benny Safdie won best director for “The Smashing Machine,” starring Dwayne Johnson. Other notable winners include Xin Zhilei for best actress and Toni Servillo for best actor.
Sydney Sweeney lands a knockout at TIFF with ‘Christy,’ stoking Oscar buzz
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TORONTO (AP) — Sydney Sweeney came to the Toronto International Film Festival wanting to talk about her film “Christy,” not her American Eagle ad campaign. After a rapturous response to the movie, she’s getting her wish. The 27-year-old, Emmy-nominated actor landed immediate Oscar buzz for her performance in David Michôd’s biopic of the boxer Christy Salters Martin. For the role, Sweeney transforms into the female boxing trailblazer who emerged out of West Virginia as the “Coal Miner’s Daughter” to rise to the top of her then-nascent sport.
Venice Film Festival, by the numbers: From standing ovations to Campari spritzes
VENICE, Italy (AP) — From a record-breaking standing ovation to the ever-present Campari spritzes to even on-screen subtitles, the 2025 Venice Film Festival was a bounty of interesting numbers. After 10 days and dozens of red-carpet premieres, the 82nd edition came to a close Sunday. While cinema is focused on the qualitative, a quantitative look can tell a story of its own. There are, after all, plenty of fascinating figures beyond the celebrity kind to be found on the Lido. From 1,936 feature films submitted, only 21 films made the cut for the main competition. The shortest of those was 90 minutes and the longest, 156.
Giorgio Armani leaves a legacy as 'the master of luxury ready-to-wear'
MILAN (AP) — For Giorgio Armani, it was always the clothes. And his clothes all started with the fabrics. While other fashion empires make their money on handbags and footwear, Armani’s appeal has always been in the apparel, the core of his $10 billion empire. After his death Thursday at the age of 91, Armani has been remembered for softening the 1980s power suit, decades of fruitful Hollywood collaborations and as a defining figure of Italian luxury ready-to-wear. But he was also a keen businessman who maintained his independence in an era of consolidation, an innovative communicator and a boss who was in charge of every aspect of his business.
How romance and a road trip led to the purchase of the world's oldest drive-in theater
OREFIELD, Pa. (AP) — In a romance and adventure worthy of the big screen, a Pennsylvania couple is preserving the past and forging a future as the owners of the world’s oldest drive-in movie theater. Matt McClanahan and Lauren McChesney bought Shankweiler’s Drive-In in Oreland, Pennsylvania, in 2022 after learning the property might be sold to developers. They supplemented their own savings with a $1 million small business loan. The theater’s original owner, Wilson Shankweiler, was a prominent hotel owner and movie buff. He opened what was then called Shankweiler’s Park-In Theatre on April 15, 1934. It was Pennsylvania’s first drive-in and only the second in the nation. The business has succeeded by offering year-round operations and special events.
Music Review: Justin Bieber has more to say about love on 'Swag ll'
NEW YORK (AP) — If it wasn’t clocking to you before, it should be now. Justin Bieber is doing whatever he wants. Friday's “Swag ll” follows the July release of “Swag.” In a review, The Associated Press music writer Maria Sherman says “Swag ll” is an obvious companion piece, not only in name but also in sound, theme and zeal. Collaborators repeat. There are songs about his wife and references to his religion. But Sherman says there is also a kind of lightness to “Swag ll.” That is likely because Bieber spends less time considering how he is depicted in the media on this release. Sift and find gold.
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